The beginning of the descent.
“God Has No Name” is the debut full-length album from HEX—a 37-minute journey through crushing doom, atmospheric darkness, and existential dread. Released in 2019, this album established the band’s signature sound and visual identity, earning its place in the underground metal scene.
The Music:
Seven tracks of meticulously crafted doom metal, each one a chapter in a larger narrative of loss, faith, and oblivion. From the opening weight of “Thy Kingdom Gone” to the closing depths of “All Those Lies That Dwells…,” the album never relents.
Tracklist:
Thy Kingdom Gone – 05:26
Soulsculptor – 04:40
Worshipping Falsehood – 04:49
Dævangelism – The Dark Sunset – 06:09
Where Gods Shall Not Reign – 05:18
Apocryphal – 04:38
All Those Lies That Dwells… – 06:27
Total running time: 37:27
Production:
Recorded at Egur.rec and mixed/mastered at the renowned Auryn Studios, the album captures both the crushing weight of death doom and the atmospheric subtlety that defines the genre. Every riff, every silence, every moment of tension has been carefully crafted and captured.
The Artwork: An Anthem to Chaos
The album’s visuals, created exclusively by Adolfo WB, are far more than mere illustrations—they are a statement. A hymn to chaos. A depiction of how religions devour everything in their path while trying to explain the inexplicable.
The structures fall. What remains is the question at the heart of the album: when gods have no name, what is left to worship?
Release Details:
Format: CD Digipack
Release Date: July 5th, 2019
Label: Transcending Obscurity Records
Recording Studio: Egur.rec
Mixing & Mastering: Auryn Studios
Artwork: Adolfo WB





GBHBL –
A worthwhile investment… at 37 minutes, it’s exactly the right length as it never begins to feel tiring. ‘Where Gods Shall Not Reign’ is a highlight… with the addition of some female vocals, it adds a massive layer of depth.
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Blessed Altar Zine –
“All Those Lies that Dwells…” was my personal favorite. In a fine way, the record was closed with thick vocals and Dimebag-groovy riffing
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Eternal Terror –
On their sophomore album the Spanish death/doom ensemble bring back the power of early Paradise Lost, Gorefest, Aspyx, Malevolent Creation and Max Cavalera Sepultura, with melodicism of Hypocrisy and My Dying Bride atop early 2000’s Behemoth, for an excellent mix of styles and sounds.
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Brutalism –
Overall Hex brings you a very nice death metal album that has a lot of variety and a good and solid production. Very good grunts, tight guitar riffs and pounding drums. In my opinion the doom in this album is not very prominent in the music. But as I mentioned a good and solid death metal album.
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VM-Underground –
Hex is still a band with a sound that could have come straight out of the 90’s. It’s mid-tempo old school Death Metal with some Doom influences. It’s with these Doom influences that (old) Paradise lost comes looking around the corner, although Hex’s sound is a lot more heavier.
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